Mixing
My mixing work grows from a fascination with the fine textures of sound and the unique acoustic identity of each project. I approach mixing as a form of interpretation, balancing precision with sensibility to reveal the internal life of a piece.
First release on Torpille Cohorte Records, it includes 6 digital tracks, with 3 extra exclusive tracks on the cassette release.
Link
Sound Arts
My sound art practice investigates the ways in which listening can reorganise perception, space and relation. Through installations, performances and algorithmic systems, I experiment with sound as a material that thinks, reacts and co-authors experience.
A Guide to Self Synthesis was a bold,boundary-pushing exploration of self-construction, that featured trans singer-songwriter Marlene Bellissimo and Emmy award winning writer-theorist Susan Stryker.
Website
Opera Lab Berlin's "Echo 2050" delved into a future where AI deity "A.I. Ursula" dominates the art world, absorbing everything into her "Art Matrix" to create chaos and masterpieces. By 2050, she wages a ruthless cultural war against her human creators, demanding total control and eliminating artistic freedom. Rebels face exclusion in a caged freak show.
Trailer
Website
Video animation by Luc Grandemange, création sonore et lecture par Oscar Vaurs, textes par Florian Poupelin et Apolline Fellay.
Presented in the litterature festival l’Épitre in Fribourg (CH).
Vidéo
Website
Exhibition in Cambo-les-bains with a collection of ceramic and clay pieces around the theme of underwater and sacred creatures.
Vidéo
Website
Curation
My curatorial practice emerges from a desire to build encounters—between artists, audiences and ideas—by shaping contexts that allow experimental work to resonate. I design frameworks where diverse practices can coexist, challenge each other and generate new forms of attention.
Parisian Label co-founded by Thomas Bourdens and Oscar Vaurs, dedicated to promote new and radical music.
Link
ACT has been offering a platform for art students at Swiss
universities to realize performative projects since 2003. Every year,
the festival tours
throughout Switzerland, stopping in various cities.
The festival events can be considered as an open laboratory for testing
out performative
projects and artistic strategies.
Link
Papillons is a new concert series created by three friends who met on a late summer evening on Karl-Marx-Straße. They invite artists to
experiment without expectations and co-create a space for intentional, communal listening.
Link
Staging
In staging, I explore the dialogue between bodies, technologies and spatial architectures. Whether working with dancers, performers or installations, I aim to create environments where movement, sound and scenography become interdependent agents of the dramaturgy.
From our Time and functions as a dynamic assemblage in which bodies, technologies and spatial forces continually reconfigure one another. The audience’s presence influences the feedback behaviour, electronic processes respond to micro-gestures, and the dancer navigates between intuition and constraint. From Our Time And represents a significant step in my research trajectory, synthesising several years of exploration into transdisciplinarity, hybrid performance and posthuman modes of composition.
Vidéo
Sans Visage is a transdisciplinary performance that examines how surveillance, data extraction and algorithmic systems reshape perception and identity in the digital age. The work was developed in close dialogue with my ongoing research on cartographic approaches to collaborative music-theatre, and it examines how surveillance, data extraction, and algorithmic systems reshape the conditions of perception, identity, and collective creation.
Vidéo
La Dame du Lac est une création de la compositrice Viviane Urio, mise en scène en plein air aux Bains des Pâquis à Genève. J’y ai développé un dispositif sonore immersif qui dialogue avec le lac, l’espace et les interprètes. Cette performance-opéra explore la présence, la mémoire et le paysage à travers une écriture vocale et instrumentale sensible. Mon travail sonore en amplifie les dimensions dramaturgiques et environnementales.
Trailer