Staging
In staging, I explore the dialogue between bodies, technologies and spatial architectures. Whether working with dancers, performers or installations, I aim to create environments where movement, sound and scenography become interdependent agents of the dramaturgy.
From our Time and functions as a dynamic assemblage in which bodies, technologies and spatial forces continually reconfigure one another. The audience’s presence influences the feedback behaviour, electronic processes respond to micro-gestures, and the dancer navigates between intuition and constraint. From Our Time And represents a significant step in my research trajectory, synthesising several years of exploration into transdisciplinarity, hybrid performance and posthuman modes of composition.
Vidéo
Sans Visage is a transdisciplinary performance that examines how surveillance, data extraction and algorithmic systems reshape perception and identity in the digital age. The work was developed in close dialogue with my ongoing research on cartographic approaches to collaborative music-theatre, and it examines how surveillance, data extraction, and algorithmic systems reshape the conditions of perception, identity, and collective creation.
Vidéo
La Dame du Lac est une création de la compositrice Viviane Urio, mise en scène en plein air aux Bains des Pâquis à Genève. J’y ai développé un dispositif sonore immersif qui dialogue avec le lac, l’espace et les interprètes. Cette performance-opéra explore la présence, la mémoire et le paysage à travers une écriture vocale et instrumentale sensible. Mon travail sonore en amplifie les dimensions dramaturgiques et environnementales.
Trailer